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View Article  Will Collins is pondering relationships
Journey to the Depth of the Deep-freeze


You’re on the driver’s seat.
I’m only your passenger.
On either side of us fields
of sunflowers caress in a breeze.

You’re wearing your purple shirt
with jeans and jagged eyebrows.
It is quarter to three in the afternoon
on an autumn Sunday; we’re returning
from lunch, wine and chat with friends.
The break in our silence comes
to tell me you want to call it a day.

I watched the sunflowers caress,
mute and childless.  
 

~ ~ ~ ~ ~


Three Days Before the Train


A doll stares at 80s artex.
Her eyes fixed wide open
like she is looking at
a winning lottery ticket
or she has just been told
her mother is cured of cancer.

She is waiting for you to enter her
bed and wrap your arms around her. 



* When we first encountered Will Collins, he was reading creative writing at Winchester Uni. He's now graduated and become a lecturer at the Basingstoke College of Technology but plans to take a Masters in the near future.

View Article  Flash fiction: Terry McKee can't sing but...
I Can’t Sing but That Doesn’t Mean I Don’t Love You

 
I’m driving down the road, on my way to the market to get something for dinner, singing along with a love song on the radio, even though I know I can’t sing, still that doesn’t stop me from singing. I want to sing in the worst way, always have. Fortunately for the guy in the next lane, my windows are up.

“Life isn’t fair,” my mother always said. She was so right! My sisters sing beautifully. “Angels”, she called them.

They sound like Leona Lewis, with such incredible range. And they know to dance like her too, as if they’re making love with the wall. Another thing I’d really like to do well, but I’m the queen of klutz. That saying about walking and chewing gum fits me to a T and just forget doing it in stilettos, like Leona. An untied sneaker is my equivalent to running with scissors.

It’s incredible when someone opens their mouth and sound so spectacular comes out, especially if she has less than mediocre speaking voice. Looks become unimportant as well, a person can forget all about the face when the singer’s languishing between the music and lyrics, fully entrenched in its meaning, but oh my, if they are pretty. The combination is breath-taking, a sure fire hit.

Tone deaf and un-coordinated, I can’t do anything of the things I want to do. Somehow I missed out on the dancing and singing genes and now that’s all I want to do, sing. Love songs, hate songs, rock and roll, folk ballets, any song, just as long as I can sing it. I’ll do anything that proves I have some special talent.

Then you touch my arm and laugh, “You can really belt it out.”

“It’s for you,” I say, “sorry it’s not very good.”

Then I realize I don’t have to be good and just because I can’t sing doesn’t mean I can’t get what I want. You’re still sitting next to me, besides singing is fun.

“That doesn’t matter, you’re still my angel,” you tell me and kiss my hand as if I’m royalty.

With my best flirty eyes, I ask, “So what do you want for dinner?”



* Terry McKee lives in southern Florida, with her husband, three dogs, two horses, numerous lizards and six dragon flies.
View Article  Helen Pletts is remembering her grandfather
In the morning
 
 
In the morning,
i taste your funeral.
 
Even the radiators' anthem
appears unchanged.
 
(Theirs the only music
  until the first psalm).
 
Downstairs,
someone grapples
the compartments of breakfast cutlery;
we fall between the forks.
 
In the moments prior to your departure
the dark coats fold on us;
 
a clouded navy blue,
a sentried black.
 
And all the dawns
come rushing
through the milk spout
on the cereal.


* Helen Pletts is a regular IS&T contributor and has a new collection coming out in 2009.
View Article  Kate Pottinger is walking the woods
Deep Woodlanders       
 

I do not see the ancient men
I feel their eyes upon me in the undergrowth
where foxes bark at night
behind the trunks of trees
half blackened by the rain.
The birds are silent here but
hidden in the canopy they watch
the fusion of the present and the past.
Sensing movement I turn round to see
the tangled ropes which gently swing
in glutinous, grey light
where bodies thin as air and dry as dust
have nudged them passing through
and I would like to know
if they see flesh and bone          
and footprints on the muddy track
and in another thousand years from now,
if I, as thin as air and dry as dust,
will peer from undergrowth
where foxes bark at night,
and watch the flesh and bone and footprints
on the ancient, muddy track.
                                       

* Kate Pottinger is one of the co-founders of an arts cafe set up by one of IS&T's regular contributors Mandy Pannett and says this poem "rather came out of nowhere one damp afternoon in November when I was walking my dog in the woods." She adds "I have been working on a novel for the last ten plus years and finished the final draft earlier this year amidst great celebrations and sighs of relief from those who had seen me through the very lengthy labour to the birth! Now the question is, what do I do with it?"

View Article  Sonia Jarema has one last present to unwrap
The Last Present
 
Before he died
He bought and wrapped
This present
It sits in my cupboard
The snowmen have
Waved many summers
Away now
And still
I can not
Bring myself
To unwrap
This last present.
 
She told me this
And I did not laugh
Did not entice
Her to unwrap
But wished that
I too had
A last present  
To cherish
And not unwrap
 
Two decades later
I reached  into
The cupboard
That holds
Only memories
And found
Eighteen years
Left unwrapped
And started
To peep
Till two years dropped
And now I pull
At the paper
Of the sixteen.
And wonder
If one day
I wish
I hadn’t.


* Sonia Jarema says "I am an allotmenteer living on the edge of London, finally letting the air get to my writing."
View Article  Andrea Porter's been reading Whitman
Transcutaneous Electric Nerve Stimulation
(On Reading Whitman’s I Sing the Body Electric)


This TENS machine knows its job, electric impulses
sent out at just the appropriate levels to sting
and twitch the muscles in a rhythmic cadence.
I am reading Whitman by accident or on purpose.
I have all maybes locked into each beat of me
that feeds this aching body-soul Whitman calls up,
shaman to DNA before the helix, namer of parts.
Each pulse glints in the body, a salmon thrashing
up river, caught in the leap to join where it began.
I recognize the sympathy of hand when feeling
the naked meat of the body threaded with electric.
I sense the sugar of shock licking at the walls,
the thinness of each sweetness, pain, together,
the wonder in the flow that engulfs the house.


* Andrea Porter is a member of the poetry performance group Joy of Six, which has performed in Britain and New York. She has been published in a number of poetry magazines (both paper and online) in the UK, Canada, Australia and USA. Her narrative sequence of poems Bubble was adapted as a drama for Radio 4 as a drama by the RSC dramatist Fraser Grace. She writes a fairly successful blog We liked It But Not Quite Enoughwww.welikeditbutnotquiteenough.blogspot.com – and promises the agent she will get the rewrites to the novel soon. She has a full collection A Season of Small Insanities coming out with Salt Publishing in April 2009.

View Article  Feeling awkward - two poems by Bernardine Freud
Awkward
   
eating, taken out to lunch
by someone I meet
for the first time,
someone I know I’ll like,
want to like me.
Eating with my pudding spoon,
chorizo, braised celery,
and things I don’t look at
long enough to recognise
because I’m staring at him
as if he can’t see me
examining his nose
and the exact fullness of lips.
He looks back at me,
napkin to mouth,
behind which he chokes
on a green bean.


~ ~ ~ ~ ~
   

Haiku Snap


Dad, fag stuck to lip,
green eyes, hard like bottle glass,
surrounded by us.

Mum, squinting against
the sun, print dress and cardi,
is feeling the cold.

My younger sister
squats, knees up and mouth open,
unkissed frog princess.
 
The sulky one, me,
cross legged, camera shy,
wills time to pass.


* Bernardine Freud is a working gardener, strangely fond of mud and rain and has a poem in next Smiths Knoll.

View Article  Roddy Williams is in the twilight zone
November 2007


it’s like the night’s invaded afternoons
these days, pushing back the border of dusk
to the heartland of richard and judy.
the front line of the war is approaching.

they’ll soon be in occupied territory
broadcasting their report on conditions
with the curtains closed and the big light on
and viewers phoning in to win a lamp.

there’ll be a man with a fat black microphone
reporting from somewhere in the twilight zone.
richard will ask how the locals are coping
and the man will say that spirits are high.

judy will clutch her clipboard, look concerned
and say something banal about dunkirk.



* Roddy Williams lives, paints, writes and works in London. A radical atheist, his Haiku Diary of Common Sense can be found at http://hairybloke.blogspot.com/

View Article  Gwilym Williams has gone Christmas shopping - and he still has the scars
Christmas Shopping


Again today it's a moving pizza parlour Xmas shopping spree;
and I'm squeezed in the steamed-up 37 and the seasonal sneezing
amid floppy wedges of undercooked white pastry
and waxy cheese in round child-mouths; the stench is nauseating.
But I must be tolerant. It's Xmas after all.
 
There's a blind girl with a beautifully sad face like a soft moon
to fall in love with. Unfortunately she gets off at the next stop.
 
I get out my latest Duffy. A couple gets on. She, an old bear
in mink's clothing with kid gloves sits vis-a-vis. He,
in his trench-coat, stands swan-necking over my shoulder.
Bored with his eyes in my book; I can almost feel his warm
unpleasant breath on my nape, I snap The World's Wife shut.
 
Now he's pushing up to the front; berating the driver; it's a real
Xmas shopping brainstorm. They've missed the stop.


*
Gwilym Williams is a regular contributor to IS&T – this is a seasonal offering from his recent collection Genteel Messages
View Article  John Grochalski knows he's not perfect
world's perfect asshole
 

you come in from
running errands
you said that dale called
you on the cell phone
he's wandering manhattan
he's upset and feeling overwhelmed
so you invited him over
to watch movies on our last day off.
 
you come in from
running errands
and i am in my shorts
with weak knees and a week-old beard
sweat-soaked in forty-eight degrees
all the windows open
and the place a mess
with cds and dirt all over the floor.
 
you come in from
running errands
and i tell you like hell
i'm entertaining anyone today
i tell you like hell
and i'm half-drunk on wine
and my soul is a mess and everyone
out there just looks ugly to me.
 
you come
and tell me that this is your place too
and you can socialize with whomever you want
like i'm some kind of barbaric keeper
i tell you that while this is true
the place is mine as well
and we bicker like a couple of roommates
over the last slice of bread.
 
you come in from
running errands
you come at me and i come at you
the two of us like freight trains
on the same track, it's so damned scary
that i wait for the impact
you come at me and apologize
i come at you, and throw you out.
 
you come in from dale and the bar
you come to me on the couch
where i have been drinking wine
for three hours alone
and watching television
you come to me, i'm the world's perfect asshole
and we just know enough at this point
to let it all pass until i'm myself again.


* John Grochalski is an American writer whose poetry has appeared in a wide range of magazines. His short fiction has appeared in the Pittsburgh Post-Gazette and the forthcoming anthology Living Room Handjob.  My His collection of poetry The Noose Doesn't Get Any Looser After You Punch Out is published by Six Gallery Press.
 
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