View Article  New haiga by Pris Campbell



* Pris Campbell has published her haiga and free verse in numerous online and print journals. She has three chapbooks out, the most recent is Hesitant Commitments (Lummox Press). She lives in the greater West Palm Beach, FL, with her husband and a cat who sits on her poetry drafts. See her website at www.poeticinspire.com
View Article  Gwilym Williams is holding a Bukowski night
Bukowski Night
 

I'm holding my annual Bukowski Night
I almost wish you were all here
 
but if it don't come bursting out of you
then please don't come
 
Allen's come to do his Kaddish
 
uninvited
 
or so he always says
 
it could be cool
it should be cool
it comes unmasked and from heart and mouth
 
the Buds are cooling in the icebox
the olives are in the communal dish
 
whispering Allen's already warming up
 
my God, this dude wrote Howl!
and now he sounds like he needs a mike
 
Charles is pilfering my shelves
 
and betting on Allen to extrapolate the extrasensory
Charles reckons the sun is burning his gut
 
how come the moon is out?
 
I slip on the Dylan  
 
My guests chill out with Szirtes' whiskey
 
George gatecrashes late with his Jamesons
- but we know a triple distilled when we meet one
 
there's no other way
 
there never was.
 

* Gwilym Williams is a regular IS&T contributor
View Article  Jayne Dunsmuir is riding the trains
The Benefits of Train Travel


When something tells you
You need a vacation
Take a train across country

Forget the planes
Leading to comic-strip beaches
Why would you dig in the hot sand
 
Why would you allow yourself
To get stranded
Between the land and the water

When you could sit quietly
In the smoking car
Drinking the beer someone passes  

With the sound of the bones
Of the irrefutable engine
Flattening a rail

That may as well have been put there
For you alone
The consolation of certainty

That comes from having no say
The choices were made in some past
When men rode horses along the track

Drew your route on parchment
Decided ‘this way’
Felled trees, dug mountains

Wrestled with obstacles
On your behalf
You ride the fervour of their certainty

And later, with a book in your hand
Look out to the vast various scene
Unravelling for your pleasure

You feel your heart mauled by
Everything you see because
It is momentary and unknowable

And what better than to suffer
Just a little in the comfort of the carriage
Where you witness

The door of the trackside diner
Opening to the hand of a woman
With long black hair

Holding coffee, a paper bag
Sees you watching from the
Window of the passing train

Thinks something of you
Perhaps nothing
And is gone before you give a name to it.


* Jayne Dunsmuir is a photographer living in New York.

View Article  Colin Cross has achieved a childhood ambition
WALKING THE DOGS

as a young child
at primary school
in the New Forest
I was fascinated
by the large lorries
with large suction attachments
you used to come
to the school
every week
to pump out
the school toilets
 
and one day
I went home
and told my parents
that
when I grew up
I wanted to be
a lavatory man
 
now
having spent much
of my adult life
working shitty jobs
for crap pay
I walk two dogs
for an elderly
friend of mine
 
this involves
picking up their shit
and it makes me
feel good to know
that in my
early sixties
I have finally
at least partially
achieved
my childhood ambition


* Colin Cross lives in Norwich and is a regular IS&T contributor
View Article  Amy Curtis is chasing the horizon
chasing the horizon
 

standing at this point in time and space
seconds passing by like words off a page as i read
each second a word that's not been said
 
i look for something to take my aim for
space stretches out before me
as far as the eye can see
 
no clouds or mountains to obscure the view
no answer strides up and tells me what to do


* Amy Curtis says "When forced to write about myself I continually type, delete, type, delete, type, delete..."
View Article  Ink Sweat contributor guidelines update
As promised earlier, here is a reminder of our contributor guidelines – none of the terms have changed but with so much concern about publishers ripping off their authors, we thought we issue a reminder...

1. We ONLY accept submissions by email - strewth, this is the 21st century.

2. Send your submissions to charles@legaltechnology.com and include the words IS&T SUBMISSION in the subject line.

3. Please ensure your return email address is clearly indicated.

4. Please include a short biographical note - 15-to-20 words max - about yourself (and yes you can be flippant and include a web URL if you want).

5. Your submissions can be within the body of the email or as a Word or RTF file attachment - but no macros or .EXE files. If you are sending a graphic, including haiga, then PDF and JPEG files are fine.

6. Please note the maximum word length we will publish is 750 words - there again Einstein did write one of his theses in less words than that so there really is no need to be prolix.

7. Contributors must accept full responsibility for the accuracy of their spelling as (a) we can't spell and (b) you may be using terms of art or unusual spelling deliberately.

8. Please DO NOT submit work that includes copyright material (such as pictures) belonging to other people/third parties unless you can supply us with written authorisation by that person/third party.

9. As the author you retain full copyright in your work. By submitting a piece of prose or poetry to us, you are merely granting IS&T a non-exclusive right (or 'bare licence') to reproduce your work.

10. Unlike many magazines, webzines and competition organizers we don't care if a piece has been previously published elsewhere – providing the author still retains copyright.

11. The one caveat we do make is no simultaneous submission please (and that includes work also being submitted to competitions) if only because it causes us unnecessary aggro when, having accepted a piece, the author then gets it accepted elsewhere in one of those 'previously unpublished' outfits and wants to unsubmit it to us – or else even asks us to delete from the webzine a piece we have already published.

12. We do not offer a critical review service - you'll have to get that from your local writers group or creative writing tutor. On the otherhand if we do reject a piece we will not make any snitty, rude comments about it.

13. While nothing is sacred - and we will consider 'political/current affairs' contributions - we do reserve the right to reject any submission we feel is deliberately offensive or actionable.

14. We currently do not pay for submissions - we have no money - and, just for the record, we are NOT funded by Arts Council etc grants or any other public funding.

View Article  Time for another round up of contributor news...
* Regular IS&T contributor Alexis Rotella has a new collection of tanka out called Elvis in Black Leather (44 pages, softback, Modern English Tanka Press 2009 - www.themetpress.com price $9.95, ISBN 978-193539809-7). To quote the blurb for the collection – written by IS&T editor Charles Christian... "This is the most enjoyable collection of tanka I've read in a long time. What I like about it (along with, it shouldn't need saying, the quality of this poet's writing) is the way Alexis Rotella is pushing the boundaries of the genre, so they are not only linked to a common theme - a remembrance of Elvis - but also breaking into the realms of reportage and biography and away from the frequently genteel constraints of traditional tanka."





* There seems to be a growing chorus of discontent from writers and poets who feel they are getting a raw deal from both online and small press publishers who are playing hard and fast with their IP rights. The worst example we have encountered is an online site that demanded a poet seek written permission to use one of her own poems – despite the fact she was unaware she had even submitted any of her work to the site for publication.

Hey, publishers – its called piracy. You are all very quick to complain if someone rips of one of your titles – yet you have no qualms about ripping off your own authors. In related developments...

- Ink Sweat & Tears will be republishing its publication guidelines in a separate post – none of the terms have changed but it is probably worth restating them.

- AND, here is a story from Wikipedia you may want to consider...
Until recently, the domain name Poetry.com was owned by New Catalyst Fund. On March 7th, 2009, Lulu.com purchased that domain from NCF. Publish Today and Noble House Books, the branches of Poetry.com that managed the publishing and printing of their books, have gone out of business. According to their press release, Lulu has aggressive plans to completely revamp Poetry.com and bring it under the Lulu brand. The site will be renamed to Lulu Poetry, and will be targeted to poets who want to connect with their peers and have access to resources to receive reviews and feedback on their poetry as well as recognition, contest prizes and helping them publish their work.

Poetry.com was previously run by a Maryland-based company called The International Library of Poetry, also known as the International Society of Poets and the International Poetry Hall of Fame. This company was considered by many to be a vanity publisher. Poetry.com claimed to coordinate monthly poetry contests and other services through its website, though the actual competitive nature of these contests was disputed. The site's ostensible primary purpose was publication of poetry anthologies submitted by aspiring authors, and invitations to poetry conventions hosted by the group. The Better Business Bureau of Greater Maryland classified the business as a vanity publisher, and notes that the quality of the poetry submitted to them "does not appear to be a significant consideration for selection for publication."

Critics of the International Library of Poetry's business model describe their practices as "deceptive and misleading" in that they misrepresent their activities as a contest based on the quality of poetry submitted, whereas in fact the quality has little or no influence on the outcome. They are also accused of portraying the anthologies they publish as a "real literary credit that poets can be proud of" while simultaneously producing anthologies that are available on special order only and which are full of poor quality poetry. Other critics point out that standard industry practice is for winners of poetry contests to receive gratis copies of any publication of their work, and that ILP fails to follow this protocol.

The Better Business Bureau comments that it has received "hundreds" of complaints concerning ILP, and that it considers their business to be vanity publishing. In 2004, the New York State Consumer Protection Board launched an investigation into ILP, which it said "takes advantage of people both emotionally and financially," but suspended the investigation due to a shortage of complaints.


* Finally, Sarah Hilary has a media column appearing in the current issue of Foto Magazine (Issue 25) entitled A Perspex Crucifix, about a propaganda photograph taken of her family during WWII. We've attached a PDF of the article – also check out: www.foto8.com/home/content/view/814/488/
1 Attachments
View Article  Jessica Patient tells the story of the lost



* Jessica Patient won the WordSkills creative writing competition in 2008 and has several flashes, poems and short stories published. Her blog is www.writerslittlehelper.blogspot.com She is currently writing a novel.
View Article  Alex Allison is worried about first impressions
first impressions

i probably didn’t give a great first impression
slimy and wailing ‘n’ that kind of shit.
i don’t think my impressions have improved
my wailing is just a bit more eloquent.


* Alexander J. Allison
View Article  Patsy Goodsir is watching the clematis creeping
THROUGH THE WINDOW
 

Now the growing months are here
I can see the added beauty of this tree,
it blocks out the neighbours
and frowns at the clematis
creeping, invading, but making
apologies with delicate pinks.
 
I've hung the voile with blue tulips
it looks good in my porch,
too small to be called conservatory,
but big enough for me
to have five minutes before the
invasion of flymos and mowers
assaults my protesting ears
and kills the moment.


*
Patsy Goodsir describes herself as "A daft granny who drives a yellow car. Had poetry, fiction and non fiction published, both in national press and online." She adds "Never sleep with an elephant he might roll over."
www.patsygoodsir.com