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Saturday, May 30

New haiga by Pris Campbell
by
Charles Christian
on Sat 30 May 2009 08:49 AM BST
*
Pris Campbell has published her haiga and free verse in numerous online
and print journals. She has three chapbooks out, the most recent is Hesitant Commitments
(Lummox Press). She lives in the greater West Palm Beach, FL, with her
husband and a cat who sits on her poetry drafts. See her website at www.poeticinspire.com
Friday, May 29

Gwilym Williams is holding a Bukowski night
by
Charles Christian
on Fri 29 May 2009 01:39 PM BST
Bukowski Night
I'm holding my annual Bukowski Night I almost wish you were all here but if it don't come bursting out of you then please don't come Allen's come to do his Kaddish uninvited or so he always says it could be cool it should be cool it comes unmasked and from heart and mouth the Buds are cooling in the icebox the olives are in the communal dish whispering Allen's already warming up my God, this dude wrote Howl! and now he sounds like he needs a mike Charles is pilfering my shelves and betting on Allen to extrapolate the extrasensory Charles reckons the sun is burning his gut how come the moon is out? I slip on the Dylan My guests chill out with Szirtes' whiskey George gatecrashes late with his Jamesons - but we know a triple distilled when we meet one there's no other way there never was.
* Gwilym Williams is a regular IS&T contributor
Thursday, May 28

Jayne Dunsmuir is riding the trains
by
Charles Christian
on Thu 28 May 2009 06:02 PM BST
The Benefits of Train Travel
When something tells you You need a vacation Take a train across country
Forget the planes Leading to comic-strip beaches Why would you dig in the hot sand Why would you allow yourself To get stranded Between the land and the water
When you could sit quietly In the smoking car Drinking the beer someone passes
With the sound of the bones Of the irrefutable engine Flattening a rail
That may as well have been put there For you alone The consolation of certainty
That comes from having no say The choices were made in some past When men rode horses along the track
Drew your route on parchment Decided ‘this way’ Felled trees, dug mountains
Wrestled with obstacles On your behalf You ride the fervour of their certainty
And later, with a book in your hand Look out to the vast various scene Unravelling for your pleasure
You feel your heart mauled by Everything you see because It is momentary and unknowable
And what better than to suffer Just a little in the comfort of the carriage Where you witness
The door of the trackside diner Opening to the hand of a woman With long black hair
Holding coffee, a paper bag Sees you watching from the Window of the passing train
Thinks something of you Perhaps nothing And is gone before you give a name to it.
* Jayne Dunsmuir is a photographer living in New York.
Wednesday, May 27

Colin Cross has achieved a childhood ambition
by
Charles Christian
on Wed 27 May 2009 12:57 PM BST
WALKING THE DOGS
as a young child at primary school in the New Forest I was fascinated by the large lorries with large suction attachments you used to come to the school every week to pump out the school toilets and one day I went home and told my parents that when I grew up I wanted to be a lavatory man now having spent much of my adult life working shitty jobs for crap pay I walk two dogs for an elderly friend of mine this involves picking up their shit and it makes me feel good to know that in my early sixties I have finally at least partially achieved my childhood ambition
* Colin Cross lives in Norwich and is a regular IS&T contributor
Tuesday, May 26

Amy Curtis is chasing the horizon
by
Charles Christian
on Tue 26 May 2009 05:11 PM BST
chasing the horizon
standing at this point in time and space seconds passing by like words off a page as i read each second a word that's not been said i look for something to take my aim for space stretches out before me as far as the eye can see no clouds or mountains to obscure the view no answer strides up and tells me what to do
* Amy Curtis says "When forced to write about myself I continually type, delete, type, delete, type, delete..."
Monday, May 25

Ink Sweat contributor guidelines update
by
Charles Christian
on Mon 25 May 2009 08:01 PM BST
As promised earlier, here is a reminder of our contributor guidelines – none of the terms have changed but with so much concern about publishers ripping off their authors, we thought we issue a reminder...
1. We
ONLY accept submissions by email - strewth, this is the 21st century.
2. Send your submissions to charles@legaltechnology.com and include the words IS&T SUBMISSION in the subject line.
3. Please ensure your return email address is clearly indicated.
4. Please include a short biographical note - 15-to-20 words max - about yourself (and yes you can be flippant and include a web URL if you want).
5.
Your submissions can be within the body of the email or as a Word or
RTF file attachment - but no macros or .EXE files. If you are sending a graphic, including haiga, then PDF and JPEG files are fine.
6. Please note the maximum word length we will publish is 750 words -
there again Einstein did write one of his theses in less words than
that so there really is no need to be prolix.
7.
Contributors must accept full responsibility for the accuracy of their
spelling as (a) we can't spell and (b) you may be using terms of art or
unusual spelling deliberately.
8. Please DO NOT submit work
that includes copyright material (such as pictures) belonging to other
people/third parties unless you can supply us with written
authorisation by that person/third party.
9. As the author you
retain full copyright in your work. By submitting a piece of prose or
poetry to us, you are merely granting IS&T a non-exclusive right (or 'bare licence') to
reproduce your work.
10. Unlike many magazines, webzines and competition organizers we don't care if a piece has been previously published elsewhere – providing the
author still retains copyright.
11. The
one caveat we do make is no simultaneous submission please (and that
includes work also being submitted to competitions) if only because it
causes us unnecessary aggro when, having accepted a piece, the author
then gets it accepted elsewhere in one of those 'previously
unpublished' outfits and wants to unsubmit it to us – or else even asks
us to delete from the webzine a piece we have already published.
12. We do not offer a critical review
service - you'll have to get that from your local writers group or
creative writing tutor. On the otherhand if we do reject a piece we
will not make any snitty, rude comments about it.
13. While
nothing is sacred - and we will consider 'political/current affairs'
contributions - we do reserve the right to reject any submission we
feel is deliberately offensive or actionable.
14. We currently do not pay
for submissions - we have no money - and, just for the record, we are
NOT funded by Arts Council etc grants or any other public funding.

Time for another round up of contributor news...
by
Charles Christian
on Mon 25 May 2009 05:38 PM BST
* Regular IS&T contributor Alexis Rotella has a new collection of tanka out called Elvis in Black Leather (44 pages, softback, Modern English Tanka Press 2009 - www.themetpress.com price $9.95, ISBN 978-193539809-7). To quote the blurb for the collection – written by IS&T editor Charles Christian... "This is the most enjoyable collection of tanka I've read in a long time. What I like about it (along with, it shouldn't need saying, the quality of this poet's writing) is the way Alexis Rotella is pushing the boundaries of the genre, so they are not only linked to a common theme - a remembrance of Elvis - but also breaking into the realms of reportage and biography and away from the frequently genteel constraints of traditional tanka."

* There seems to be a growing chorus of discontent from writers and poets who feel they are getting a raw deal from both online and small press publishers who are playing hard and fast with their IP rights. The worst example we have encountered is an online site that demanded a poet seek written permission to use one of her own poems – despite the fact she was unaware she had even submitted any of her work to the site for publication.
Hey, publishers – its called piracy. You are all very quick to complain if someone rips of one of your titles – yet you have no qualms about ripping off your own authors. In related developments...
- Ink Sweat & Tears will be republishing its publication guidelines in a separate post – none of the terms have changed but it is probably worth restating them.
- AND, here is a story from Wikipedia you may want to consider... Until recently, the domain name Poetry.com was owned by New Catalyst Fund. On March 7th, 2009, Lulu.com purchased that domain from NCF. Publish Today and Noble House Books, the branches of Poetry.com that managed the publishing and printing of their books, have gone out of business. According to their press release, Lulu has aggressive plans to completely revamp Poetry.com and bring it under the Lulu brand. The site will be renamed to Lulu Poetry,
and will be targeted to poets who want to connect with their peers and
have access to resources to receive reviews and feedback on their
poetry as well as recognition, contest prizes and helping them publish
their work.
Poetry.com was previously run by a Maryland-based company called The International Library of Poetry, also known as the International Society of Poets and the International Poetry Hall of Fame. This company was considered by many to be a vanity publisher.
Poetry.com claimed to coordinate monthly poetry contests and other
services through its website, though the actual competitive nature of
these contests was disputed. The site's ostensible primary purpose was
publication of poetry anthologies submitted by aspiring authors, and invitations to poetry conventions hosted by the group. The Better Business Bureau
of Greater Maryland classified the business as a vanity publisher, and
notes that the quality of the poetry submitted to them "does not appear
to be a significant consideration for selection for publication." Critics of the International Library of Poetry's business model
describe their practices as "deceptive and misleading" in that they
misrepresent their activities as a contest based on the quality of
poetry submitted, whereas in fact the quality has little or no
influence on the outcome. They are also accused of portraying the
anthologies they publish as a "real literary credit that poets can be
proud of" while simultaneously producing anthologies that are available
on special order only and which are full of poor quality poetry. Other critics point out that standard industry practice is for winners of poetry contests to receive gratis copies of any publication of their work, and that ILP fails to follow this protocol.
The Better Business Bureau
comments that it has received "hundreds" of complaints concerning ILP,
and that it considers their business to be vanity publishing. In 2004,
the New York State Consumer Protection Board
launched an investigation into ILP, which it said "takes advantage of
people both emotionally and financially," but suspended the
investigation due to a shortage of complaints. * Finally, Sarah Hilary has a media column appearing in the current issue of Foto Magazine (Issue 25) entitled A Perspex Crucifix, about a propaganda photograph taken of her family during WWII. We've attached a PDF of the article – also check out: www.foto8.com/home/content/view/814/488/
1 Attachments
Saturday, May 23

Jessica Patient tells the story of the lost
by
Charles Christian
on Sat 23 May 2009 03:46 PM BST
* Jessica Patient won the WordSkills creative writing competition in 2008 and has several flashes, poems and short stories published. Her blog is www.writerslittlehelper.blogspot.com She is currently writing a novel.
Friday, May 22

Alex Allison is worried about first impressions
by
Charles Christian
on Fri 22 May 2009 02:47 PM BST
first impressions
i probably didn’t give a great first impression slimy and wailing ‘n’ that kind of shit. i don’t think my impressions have improved my wailing is just a bit more eloquent.
* Alexander J. Allison
Thursday, May 21

Patsy Goodsir is watching the clematis creeping
by
Charles Christian
on Thu 21 May 2009 10:00 AM BST
THROUGH THE WINDOW
Now the growing months are here I can see the added beauty of this tree, it blocks out the neighbours and frowns at the clematis creeping, invading, but making apologies with delicate pinks. I've hung the voile with blue tulips it looks good in my porch, too small to be called conservatory, but big enough for me to have five minutes before the invasion of flymos and mowers assaults my protesting ears and kills the moment.
* Patsy Goodsir describes herself as "A daft granny who drives a yellow
car. Had poetry, fiction and non fiction published, both in national
press and online." She adds "Never sleep with an elephant he might roll over." www.patsygoodsir.com
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