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View Article  Luis Berriozabal is in a deserted house
IN THE DESERTED HOUSE
 

In the deserted house
I find my solitude.
From time to time the noise
from the backyard becomes
a comfort to me.  I
seek out the stars at night
from the deserted house’s
window.  I find the noise
from the backyard.  It is
a small bird who sings in
comforting tones.  It lifts
my spirits to the stars.



* Luis Cuauhtemoc Berriozabal says "I work in the mental health field. My new chapbook Overcome is a collaborated effort with photographer Cynthia Etheridge and the published by Kendra Steiner Editions.
 
View Article  John Irvine is trying out new gear
Here's a little bit of Anglo Saxon alliterative verse…


Trying out the new gear

I cast my line very carefully over beach clutter, way out past the kelp line.
Squid tied securely on shiny hook, the bait plops daintily onto the water.
Then slinks and sinks and slithers below. The still pewter sea swallows it whole.

I screw the silver cup slowly off my thermos flask; percolated coffee smells so sensual and rich.
The rod is resting against a rewarewa log. The line shivers in anticipation, I check the tension
and my peaceless mind plays games while I pour a generous measure of the Niuginean coffee.

Strike! The line screams out, streaming ocean-wards. I lurch for control as the rod bends double.
In seconds I surmise I’ve hooked a shark. The rod twangs from its log, snakes across the sand.
I run after rod and reel down the beach, dive desperately to catch the handle

But to precious little purpose as the rig plunges into the sea, leaves a faint V-wake behind.
My new tackle is taken and I shed a tear. I only bought the things a week ago.
Then fifty yards from the foreshore a fin appears and a jagged mouth grinning,

seems unfazed by the filament now floating from a corner of that terrible mouth,
or the fine-honed suicide hook which is hanging from its rubbery lower lip.
He dives splashing, dragging my gear to the depths. But I count my Piscean loss far more keenly.


*
John Irvine is a regular IS&T contributor – and the editor of the Anomalous Appetites anthology.

View Article  Colin McGuire is sitting on wooden chairs
Wooden chairs


God,
I've been sitting on this chair for ages.
Simple egg in a cup
but chairs grow uncomfortable,
unbendable and suddenly
a large duvet with inviting
plump cushions would do.

Wooden chairs do not attend funerals,
but they should they are stern watchers;
objective stony men,
stalwart sitting there,
supporting us
laughably upon
their frames.

What does a chair want
with the luxury of
our grief?


* Colin McGuire says "My name is McGuire: A thin 26 year old Glaswegian man, touch giddy in the head, sometimes poet of mangled form and dirty prose, sporadic drummer, drunken grammarian, waffler, painter using crayons, lover, hater, learner, teacher, pedestrian, provocateur, wanderer, confronter of shadows, irritating whine."
View Article  Nigel Pickard is walking up that hill
RAIN


After weeks of long heat
I wake to rain
and a cool breeze
through the open
window. I lie here,
listening: that unforced,
muffled encore,

your careless breath
across my chest.
Your first smile has
the gentleness
of rain after
long heat, your fingers
are rain, falling.


~ ~ ~ ~ ~


THAT HILL


the sun
sets behind

is like
a man

sleeping
on his side,

who might
in a

million years
or two,

(or three,
or four)

wake up
one day,

get off
the floor,

stretch,
stand tall,

and walk
slowly,

very slowly,
away.


*
Nigel Pickard is a regular IS&T contributor. His first collection Making Sense was published by Shoestring (2003) and his first novel One was published by Bookcase (2005).


View Article  New taiga/haiga by Alexis Rotella



* Alexis Rotella is a regular contributor to Ink Sweat & Tears. Her
latest collection of tanka is called Elvis in Black Leather (44 pages, softback, Modern English Tanka Press 2009 - www.themetpress.com price $9.95, ISBN 978-193539809-7).
View Article  Four haiku by Neal Whitman
smoke rising
the houseboat now moored
the parking lot emptied


hand over hand
pulling in my boat
snack shop already closed


snow in July
rare as a unicorn
alone on a beach


the stream of kelp
an upside down question mark
incoming tide


* Neal Whitman is a member of various haiku societies in the US. His haiku has been chosen for Simply Haiku, Bear Creek Haiku and Geppo. The online journal Getting Something Read regularly features his seasonal haiku. He also teaches (gratis only) a workshop Haiku for Anyone, for Everyone.

View Article  New haibun by Jeff Winke
Attractive So He Reaches

“Within and inside the complications we thrive,” she says with earnestness. Mesmerized by her dilated azure eyes and the way her lips move while enunciating polysyllables he listens intently, his mouth slightly open in a dumbstruck way. “You know, there are many deep expressions of truth in Sha(wo)man Susie’s book The Ultimate Interness which I’ll give only to you for an appropriate donation.” There is much about her he finds exceedingly attractive so he reaches for his thin wallet to pull out his last twenty. Andrew Jackson seems to give him a sad look as he holds the bill out for her. She deftly snaps it from his hand and leans forward letting her salmon-color gypsy top fall open enough to see the shape of his dreams. She pauses for his appreciation… but within seconds, her soft lips brush his ear as she whispers; “Twenty is nice,” sensuously elongating the word nice, “but I know you can donate more.”
 

       The Feminine Mystique –           

       in the charity donation bin’s

       overflow pile


* Jeffrey Winke is a haiku/haibun poet and public relations counselor. Recent publications include That Smirking Face, a haiku-art broadside collaboration with Matt Cipov (Milwaukee: Distant Thunder Press, 2008) and PR Idea Book: 50 Proven Tools That Really Work (Denver: Outskirts Press, 2006). www.jeffwinke.com

View Article  Arun Sharma tells how the laughter rang out
Oh how the laughter rang out...


when Tony had the forth digit of his left hand ripped off
while he was nippin’ over a 10ft, barbed-wire fence,
evading capture by the police for chuckin’ petrol bombs.
He says he didn’t even know it was gone till he was halfway down the road;
how we laughed.
 
Or like when Mackal lost a bollock on West Street
When a rubber bullet hit him during a riot.
He said the peeler aimed it to bounce off the ground just in front of him;
we were in fits.
 
And then there was that time Johnny got lifted with all them E’s.
They were stuffed in a Chelsea teddy-bear stuck on the window of his Nova.
And he kept sayin’ ‘The bear did it. I’m not the boss of him!’
...the bear did it; brilliant!
 
And d’you ‘mind the time Magoo’s brother tried to make a blast
bomb by stickin’ together 9 aerosols and throwin’ it in a bonfire?
And that wee pregnant girl got so shocked,
so shocked she had to go have her baby early.
Magoo’s brother was only eight – cheeky shite!
 
You’re bound to remember that guy in The Circus
who was tryin’ to sell trips.
and the U-ffers caught him and made him eat them all?
And he ended up walkin’ around like a mongoloid all night.
I hear the dickhead’s in a care unit now.
 
You just have to ask yourself sometimes: what’s wrong with people?
Imagine turnin’ up to a bonfire when you’re pregnant.


* Arun Sharma says "I am a 34-year-old teacher living in Bristol but was born and bred in Northern Ireland , the son of Indian immigrants."
 
View Article  Three haiku from Chris Guidon
Grass tickles my nose-
as i sleep sound on the verge
owls sing lullabys
 
Childish things to bed
the light flickers as it turns
dont watch over me
 
Peacfull junk boat floats
tattered flag ripples above
blossoms stain the hull


* Chris Guidon is an English teacher from England but soon to move back to Vietnam to teach.
View Article  Ray Morgan wants us to take her hand
Take me by the hand


Take me by the hand
and I will show you

the creases and fine lines
that frame my eyes.

We barter;
your dimples reveal themselves,

in exchange for my smile
and smile-lines.

My hand in yours,
you tell me it is small,

I shrink in self-consciousness
until reassurance.

We exist
in a secret world,

where no-one else is heard
over the clashing din of heartbeats.

Between my back and yours
we can breathe easier,

say what we are scared to say
and realise this is it.

No doubters here,
they exist only on the outside,

unable to see in
through the frosted glass.

If they could only see,
we could be without prejudice

but for now we only worry
about who is going to make the tea.


* Ray Morgan is a performance poet, has a degree in creative writing and is a creative producer for independent arts organisation Sundown. She is currently working on a novel and works for the Society of Authors. www.raypoetry.blogspot.com